Recursos Instrumentales

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2385" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633692289124{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Han Solo (Valle, V. 2014) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Ejecución de la caña fuera del instrumento. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][vc_column_text] Obras en Nuevos Aires Chilenos para Oboe que utilizan este recurso: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] Valle, Valeria (1979) “Han Solo” (2014) para oboe solo. [/vc_column_text][vc_empty_space height="50px"][/vc_column][vc_column width="1/6"][/vc_column][vc_column][/vc_column][/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][/vc_column][/vc_row]...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_column_text] Consiste en tocar sobre parte del instrumento, no montado completamente. Se puede categorizar en: [/vc_column_text][vc_empty_space height="20px"][/vc_column][vc_column width="1/6"][/vc_column][/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/3"][/vc_column][vc_column width="1/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_column_text] • Caña sola [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="20px"][vc_column_text] • Oboe sin caña [/vc_column_text][vc_empty_space height="20px"][vc_column_text] • Sonido de llaves [/vc_column_text][vc_empty_space height="20px"][vc_column_text] • Sonido de aire en la campana [/vc_column_text][vc_empty_space height="50px"][/vc_column][vc_column width="1/3"][/vc_column][vc_column][/vc_column][/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][/vc_column][/vc_row]...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2342" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633652113436{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Sub-Til (De Larraechea, S. 2004) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Sonoridad granular sutil producida por la saliva en la caña, se recomienda amplificar a través de microfonía o postproducción. Es posible manejar este sonido en inhalación y exhalación. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][vc_column_text] Obras en Nuevos Aires Chilenos para Oboe que utilizan este recurso: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] De Larraechea, Sebastián (1982) “Subtil” (2004) para oboe y electrónica. [/vc_column_text][vc_empty_space height="50px"][/vc_column][vc_column width="1/6"][/vc_column][vc_column][/vc_column][/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][/vc_column][/vc_row]...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2382" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633691137586{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Trazos V (Arellano, J. M. 2019) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Sonoridad multifónica producida por la sobre presión (overblowing) de una digitación convencional, esto se puede reforzar con frullato o modificando la digitación base. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][vc_column_text] Obras en Nuevos Aires Chilenos para Oboe que utilizan este recurso: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] Arellano, José Miguel (1985) “Trazos V” (2018) para oboe solo. “Gokotta” (2019) para oboe, piano y percusión.   García, Fernando (1930) “Tres momentos sonoros” (2014) para oboe solo. “Horizontes posibles” (2014) para dos oboes. “Fluctuaciones” (2016) para oboe y cuarteto...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2379" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633690359035{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Taxidi (Herrera, R. 2014) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Sonoridad Multifónica producida por la ejecución de una digitación determinada que no necesariamente coincide con una nota plena del instrumento. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][vc_column_text] Obras en Nuevos Aires Chilenos para Oboe que utilizan este recurso: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] Arellano, José Miguel (1985) “Mandrágora” (2019) para dos oboes.   Brncic, Gabriel (1942) “Partita” (1993, rev 2012/13) para oboe solo.   Bustamante, Manuel (1994) “Metáfora de un reencuentro” (2019) para dos oboes.   Cisternas, Felipe (1972) “Oboe 11” (2013) para oboe solo.   Cortés, Nicolás (1991) “3 secretos del viento” (2021)...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2376" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633689558761{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Oboe manifesto (Quinteros, J. M. 2017) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Sonoridad multifónica donde se destacan dos alturas muy sutiles. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][vc_column_text] Obras en Nuevos Aires Chilenos para Oboe que utilizan este recurso: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] De Larraechea, Sebastián (1982) “75 Grecia/susurro” (2011) para oboe solo.   Olave, Vicente (1993) “Germinación Continua” (2020) para oboe solo.   Pertout, Andrían (1963) “¿Qué pasaría si la tierra pudiera hablar?” (2020) para oboe solo.   Quinteros, Juan Manuel (1982) “Oboe manifesto” (2017) para oboe y cuarteto de cuerdas.   Rosmanich, Macarena (1981) “Yo no sé de sol” (2017) para...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner width="1/6"][/vc_column_inner][vc_column_inner width="2/3"][vc_column_text] Sonoridades complejas, próximas al ruido con una altura no temperada predominante. Es posible categorizarlas en: [/vc_column_text][/vc_column_inner][vc_column_inner width="1/6"][/vc_column_inner][/vc_row_inner][vc_empty_space height="40px"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner width="1/4"][/vc_column_inner][vc_column_inner width="1/2"][vc_column_text] • Armónicos dobles [/vc_column_text][vc_empty_space height="20px"][vc_column_text] • Multifónicos por digitación [/vc_column_text][vc_empty_space height="20px"][vc_column_text] • Multifónicos por sobrepresión [/vc_column_text][vc_empty_space height="20px"][/vc_column_inner][vc_column_inner width="1/4"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] De los diversos recursos de articulación se mencionarán los que hasta ahora se encuentran dentro del repertorio de este proyecto: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] • Vacío sobre la caña (Kiss sound) • Tongue Ram [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][/vc_column][vc_column width="1/6"][/vc_column][vc_column][/vc_column][/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][/vc_column][/vc_row]...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2339" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633651992577{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Detif (Herrera, R. 2003) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Ubicar los labios en la base de la caña o incluso sobre el hilo para modificar el timbre del instrumento. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height="50px"][vc_column_text] Obras en Nuevos Aires Chilenos para Oboe que utilizan este recurso: [/vc_column_text][vc_empty_space height="20px"][vc_column_text] Herrera, Rodrigo (1981) “Detif” (2003) para dos oboes. [/vc_column_text][vc_empty_space height="50px"][/vc_column][vc_column width="1/6"][/vc_column][vc_column][/vc_column][/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][/vc_column][/vc_row]...

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/6"][/vc_column][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_single_image image="2374" img_size="full" alignment="center" qode_css_animation="" title="Manuel Bustamante" css=".vc_custom_1633659233005{border-radius: 1px !important;}"][vc_empty_space height="10px"][vc_column_text] Caliser (Valenzuela, D. 2021) [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner][vc_empty_space height="40px"][vc_column_text] Sonoridades eólicas a través de la caña: Las sonoridades eólicas son sonidos conformados por un porcentaje mayor de ruido de aire y en menor cantidad por sonoridad de la altura que se digita. Su emisión comienza al entrar poca cantidad de aire con poca presión por la caña, y a medida que las paletas comienzan a vibrar concretamente, se produce el sonido normal o “pleno” del oboe. Sonoridades eólicas a...

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